Complaints about left-wing bias in the movie industry are not new. You can find articles from as far back as the 1930s, in which right-wing commentators lambast Hollywood as, essentially, an outpost of the Soviet Union. Today, the woke, virtue-signalling actor, ready to jump on every fashionable left-wing bandwagon, has become a popular cliché. Clichés, of course, often contain a very large grain of truth. Since the beginning of the lockdown, the average Briton’s TV consumption has gone up by almost an hour per day. For better or worse, movies and TV series are now a bigger part of our lives than ever before. Dr Kristian Niemietz, IEA Head of Political Economy, turns film reviewer and speaks to Emma Revell, IEA Head of Communication, about two recent examples of dystopian science fiction-thrillers The Platform and Snowpiercer, asking are Marxists taking over cinema?